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Oninaki: The Kotaku Review

When I first played the demo for Oninaki, an action role-playing game out tomorrow from Lost Sphear and I Am Setsuna creators Tokyo RPG Factory, I was optimistic. The gameplay wasn’t particularly captivating, but the story seemed unique and dark enough for me to push through the repetitive combat. Unfortunately, by the time I finished Oninaki’s story of faith, religion, and the afterlife, it just felt soulless.

Oninaki tells the story of Kagachi, a brooding young man who is a Watcher, a person tasked with helping lingering souls of the dead address their remnant concerns. He does this by going “beyond the Veil” into a kind of purgatory, an alternate dimension overlapping with the real world. Where spirits go after that is unclear to start, but the people of his society believe in the power of reincarnation. What is clear is that souls who linger beyond the Veil for too long become vicious monsters called the Fallen. Partnered with powerful souls called Daemons that offer a variety of combat styles, Kagachi fights the Fallen to protect those in the living world.

Oninaki has a lot of weighty material, but it relies too much on tedious expository moments and monotonous side stories to really hit home. A couple’s son isn’t ready to pass on yet and may turn into a monster; as part of his duties, Kagachi offers to send them beyond the Veil with him. A cult called the Ark of Hope leads a mass suicide among its followers, leaving the Watchers to deal with their lingering souls and find the leader before he can do more harm.

Kagachi, jaded by the world of the Watchers and the precepts undergirding it, does his duty with a mechanical, almost heartless determination. Talking to the townsfolk reveals interesting tidbits about the world: Some are worried that fewer children have been born of late; some buy love charms that guarantee they will reunite with their lovers in the next life. It should be a compelling exploration of faith, fear, and fanaticism, but it falls short.

Moments that could be touching are dumped on you over the span of a few text boxes rather than delved into deeply. It’s a shame, because some of the ways relationships are tested by the bounds of death show promise. “You musn’t grieve,” one character is told when her infant sister dies, for the dead will worry about living loved ones who haven’t moved on and fail to pass on properly. The tension between grief and piety shines at times but is painted with too broad a brush to say anything truly insightful about the costs or benefits of faith.

Kagachi meets a young girl named Linne in his travels, and the two of them search to learn the nature of a dangerous, mysterious being called the Night Devil. The tenderness between Kagachi and Linne is a welcome change of pace but feels rushed and unearned. The story’s twists are bogged down in a slow penultimate chapter that takes the player through a series of tedious expository revelations. The few choices you can make through the game feel inconsequential, and I found myself not really caring that much about learning the difference between multiple possible endings. Oninaki’s story of death and rebirth is what drew me in, but I was so utterly exhausted by the time I got to its end that I just wanted my life back.

The hack-and-slash gameplay lacks needed variety, requiring you to fight through hordes of enemies to reach various objectives. Acquiring new Daemons offers Kagachi new fighting styles, and each has its own skill tree featuring passive abilities and usable skills that can be unlocked. For example, there’s Zaav, a spear-wielding former knight who was faced with the hard choice to murder a child he once protected, and Dia, a gun-toting noble who constantly felt out of place in her world of airs and intrigue. Kagachi can use powerful jump attacks with Zaav and ranged beam attacks with Dia.

Some Daemons, though, feel borderline useless relative to others; one Daemon’s shielding ability, for example, scarcely makes up for his slow speed. You can customize each Daemon’s weapons and skills, but it felt like it made little difference against the enemies and never livened up the sluggish, slightly brainless combat. Even the game’s highest difficulty, Maniac, didn’t make combat exciting; if anything, it made the sponginess of some enemies and the tedium of rarely having to form new strategies all the more obvious. There’s only so much you can fight palette-swapped forms of old enemies before you stop caring about the rare new enemy that appears.

Just about every area of Oninaki looks lush but feels empty. For each, there is a real-world version of the map and a version beyond the Veil that you can switch between at any time; these worlds are geographically identical but feature different enemies and color palettes. Most Veil areas start with Kagachi stricken by “Veil Blindness,” which renders him unable to fight, see, or interact with his surroundings and vulnerable to a one-hit kill. To remove the blindness, the player must find an enemy—usually just a larger or tankier version of a normal enemy—called the “Sight Stealer.” After that, the Veil Blindness fades, and… sometimes that matters. Sometimes it doesn’t. Sometimes you can open up a new path, or find treasure, or find a lost soul who will give you a sidequest, but with the exception of cases where you need to be beyond the Veil to progress, the backtracking isn’t worth it. Exploring these areas rarely provides any real dimension. There are consistently several extra hordes of mooks to fight, but it feels like they’re just there to fill space.

Ultimately, Oninaki comes out of the gate promising, but it doesn’t truly capitalize on its dark themes or religious introspection. The ultimate truths revealed about Oninaki’s world and characters were never enough to really make me feel like cutting through enemy after enemy after enemy was worth it. It’s unfortunate—there are a lot of genuinely cool ideas here, but none of them really makes the game special.

Source: Kotaku.com

Oninaki’s World Might Be Enough To Get Me Past The Repetitive Gameplay

Oninaki, an action role-playing game from the developers of I Am Setsuna and Lost Sphear, now has a free demo on Nintendo Switch and Playstation 4. I entered into the play experience expecting something generic, and while the combat is a bit mindless, Oninaki’s world is a fascinating place. This short tease has left me curious for more, as its tale of lost souls and strange religions makes for a moody and self-aware story.

In Oninaki, players take the role of Kagachi. Kagachi is a Watcher, a sort of shepherd of wayward souls and demon exterminator. Following the death of his parents at a young age, he and his friend Mayura became Watchers and now lead a life traveling between the world of the living and the dead. Oninaki’s world revolves around the notion of reincarnation. When you die, your soul is eventually reborn to a new life unless your spirit is weighed down by some type of grief. It’s a Watcher’s job to find ways to ease the souls unable to reincarnate and escort them into a new life. It also means beating up monsters and evil spirits.

That’s the less interesting part of Oninaki, as least in the early part of the demo. Combat is mostly a hack-and-slash affair, with a few special powers thrown in. Watchers have the ability to bond with spirits called daemons. Each daemon that players find has a different skill such as a powerful sword dash attack or a Final Fantasy-esque Dragoon jump attack with a spear. These can add a little bit flash to combat but felt limited in the demo. The ability to swap between daemons in combat might lead to interesting tactical options as players find more spirits, but these early sections were a bit one-note. Slash, slash, special attack, dodge, slash some more.

What’s far more interesting is how Oninaki presents its world’s complex spirituality and the day-to-day work of Watchers. From a nervous lover offering his girlfriend a charm that is supposed to keep them reunited in the next life to cults promising different forms of salvation, Oninaki is clearly interested in exploring the social implications of its cosmology. The earliest part of the demo focuses on Kagachi and Mayura’s efforts to help the spirit of a recently deceased child, culminating in a powerful and shocking decision by his grieving parents to allow the Watchers to kill them so that they might join their son in the spirit realm. While the plot is sure to grow beyond these moments—dialog hints at a dangerous monster who can kill so completely as to deny souls reincarnation—it’s the world-building that’s captured my attention the most.

This split between the real world and the spirit realm applies to the overworld exploration, where it’s possible to travel between the two realms Twilight Princess style. Can’t cross that gap? Hop into the spirit realm and use a portal. It’s a cohesive mixture of narrative and gameplay that’s really exciting.

My experience with this demo has left me cautiously optimistic. Kagachi is a bit of a grump as far as protagonists go, and the combat is nothing to write home about, but Oninaki has a strong concept and world. It’s a place I want to experience more of, and if that means putting with some repetitive combat in exchange for exceptional world-building? I’m more than willing to deal with the hacking and slashing.

Source: Kotaku.com